00:00:00:00 - 00:00:09:20 [RADIO TUNING] 00:00:10:18 - 00:00:11:19 [GARBLED AUTOMATED SPEECH] This is the Federal Weather 00:00:11:19 - 00:00:14:01 Service report with an urgent weather report — 00:00:14:01 - 00:00:16:09 [GARBLED] — county and the greater — 00:00:16:09 - 00:00:21:04 Heartglass Desert Basin — a heat advisory is in effect — 00:00:21:18 - 00:00:24:18 Daytime temperatures will exceed 40. 00:00:24:18 - 00:00:30:01 [RADIO TUNING STATIC] —despite the disruption, the man was unable to damage 00:00:30:01 - 00:00:32:08 the Pyrestone before he was apprehended 00:00:32:08 - 00:00:35:08 by the security forces of Helicon Garden Arena. 00:00:36:07 - 00:00:39:07 Now, I don't understand the reverence for that thing myself, 00:00:39:15 - 00:00:44:00 but for those of you that love it — great news I suppose. 00:00:44:24 - 00:00:46:13 Bit of a sad story on the desk. 00:00:46:13 - 00:00:47:24 Now, today marks 00:00:47:24 - 00:00:51:06 the anniversary of the tragedy on the Helicon viewing platform. 00:00:52:02 - 00:00:53:05 It was one year ago 00:00:53:05 - 00:00:56:12 that the lightning over the desert strayed from its usual path, 00:00:57:03 - 00:01:00:11 striking the viewing platform that overlooks the Heartglass Desert. 00:01:01:20 - 00:01:02:06 The strike 00:01:02:06 - 00:01:05:22 injured several onlookers and sent three brave souls 00:01:05:22 - 00:01:09:14 below to their final rest. In their remembrance a 00:01:09:17 - 00:01:13:00 ceremony will be held at sunset on the very same platform. 00:01:14:29 - 00:01:18:04 Three representatives of the deceased will stand in their stead 00:01:18:04 - 00:01:21:04 at the unveiling of their memorial stones. 00:01:21:07 - 00:01:24:28 Also rumored to be attending is Helicon founder Melanie P. 00:01:25:19 - 00:01:29:16 Though that may just be to save face considering she made several prior 00:01:29:16 - 00:01:32:16 assurances of the platform's safety. 00:01:33:29 - 00:01:35:13 To be noted listeners — 00:01:35:13 - 00:01:37:15 the event is open to the public. 00:01:37:15 - 00:01:39:08 So if you're looking to get prime seating 00:01:39:08 - 00:01:42:08 for the lightning show afterwards, arrive early — 00:01:42:18 - 00:01:45:18 and wear some black. 00:01:46:06 - 00:01:46:27 In sports, 00:01:46:27 - 00:01:49:01 the Big Pickledilly kicks off tomorrow, 00:01:49:01 - 00:01:52:15 with contestants pouring into Robeson from all over the world 00:01:52:24 - 00:01:55:24 to test their mettle on the pickleball court. 00:01:55:24 - 00:01:58:24 Expect traffic on the 80 to be a real snarl. 00:01:58:29 - 00:02:02:12 The event is anticipated to attract over 80,000 visitors. [RADIO FADES OUT] 00:02:02:12 - 00:02:31:11 ♪ MUSIC PLAYING ♪ 00:02:31:11 - 00:02:33:12 ♪ Don’t despair ♪ 00:02:33:12 - 00:02:36:00 ♪ This too shall pass ♪ 00:02:36:00 - 00:02:39:04 ♪ Heartglass ♪ 00:02:39:04 - 00:02:52:29 ♪ MUSIC PLAYING ♪ 00:02:52:29 - 00:02:58:09 [VO] Episode 1 Crazy Cockamamie Bulls__t 00:02:58:09 - 00:03:04:03 ♪ MUSIC FADES OUT ♪ 00:03:04:03 - 00:03:05:07 [KIOSK SPEAKER] This phenomenon 00:03:05:07 - 00:03:06:12 follows the path of the 00:03:06:12 - 00:03:09:27 highest concentration of the copper-rich sands 00:03:10:06 - 00:03:13:28 And when it strikes ground it forms Robeson’s most famous 00:03:13:28 - 00:03:18:02 export — Heartglass — from which the desert gets its name. 00:03:19:16 - 00:03:20:05 [OVERLAPPING SPEECH] Here— Over 500 tons of raw Heartglass is — 00:03:20:05 - 00:03:23:05 [OFFICIANT] On the edge of the harsh desert 00:03:23:06 - 00:03:25:15 we must be brave as the folks 00:03:25:15 - 00:03:28:24 who have set forth to tame this wild expanse. 00:03:29:09 - 00:03:34:03 We soldier on after a clear act of divine will. 00:03:34:21 - 00:03:39:27 We stay strong even in the face of unavoidable loss. 00:03:40:21 - 00:03:44:28 Though our hearts dredge the depths of despair for their departure 00:03:45:12 - 00:03:48:19 their memories shall live forever here 00:03:49:06 - 00:03:52:25 memorialized in stone on this very platform. 00:03:55:25 - 00:03:58:25 [OFFICIANT] ♪ We honor those who light the way. ♪ 00:03:59:20 - 00:04:03:24 ♪ We honor those who blazed the trail. ♪ 00:04:05:03 - 00:04:11:23 ♪ We honor those who descend. ♪ 00:04:13:24 - 00:04:14:17 Today 00:04:14:17 - 00:04:18:09 we honor Christopher Danforth Stewart, 00:04:18:25 - 00:04:21:25 brother and athlete. 00:04:22:21 - 00:04:25:21 [OFFICIANT] Miss Stewart. 00:04:27:14 - 00:04:28:21 Piper! 00:04:28:21 - 00:04:30:10 [PIPER] Oh, shit. Right. 00:04:30:10 - 00:04:33:10 [OFFICIANT] Step forward. 00:04:35:05 - 00:04:38:12 We honor Chantal Alina Graves 00:04:38:28 - 00:04:41:28 sister and barista 00:04:44:06 - 00:04:44:29 And lastly, 00:04:44:29 - 00:04:49:08 we honor Erika Jane LaBeau, daughter 00:04:50:03 - 00:04:53:03 and student. 00:04:54:00 - 00:04:55:08 Our benefactors 00:04:55:08 - 00:04:59:19 at Helicon Incorporated have been amazingly generous 00:04:59:19 - 00:05:03:18 in providing us with a song crafted for this very moment. 00:05:03:25 - 00:05:07:15 We will conclude our ceremony with the laying of wreaths 00:05:07:15 - 00:05:10:28 to the tune of I'm Very Sad Your Dead. 00:05:19:09 - 00:05:21:17 [MAYA] Fucking corporate bullshit. 00:05:21:17 - 00:05:22:26 Thinking they can use their deaths to 00:05:22:26 - 00:05:25:24 make a buck with a stupid ass song. 00:05:25:24 - 00:05:26:15 [PIPER] Come on. 00:05:26:15 - 00:05:30:27 It's kind of catchy, but — in, like, like a bad way, you know? 00:05:30:27 - 00:05:33:29 Like do doo doo doo doo doo doo doo. 00:05:35:24 - 00:05:37:29 [MARK] Just don't turn on the radio for the next couple weeks. 00:05:37:29 - 00:05:38:28 It'll pass. 00:05:38:28 - 00:05:40:13 [MAYA] Greedy shitbags. 00:05:40:13 - 00:05:41:24 [MARK, whispered] Heads up. 00:05:41:24 - 00:05:43:13 [OFFICIANT, quietly] Take the wreath and the envelope. 00:05:43:13 - 00:05:44:21 Put the wreath on the plinth. 00:05:46:10 - 00:05:46:22 Melanie expects you to abide by the terms you agreed to. 00:05:50:00 - 00:05:52:18 The envelope has the money order for the remainder of the balance 00:05:52:18 - 00:05:55:18 owed to you. 00:05:59:07 - 00:06:00:09 [OFFICIANT, to the assembled crowd] Peace unto those 00:06:00:09 - 00:06:03:12 who travel before us into the yawning dark. 00:06:03:24 - 00:06:05:26 May their souls smooth 00:06:05:26 - 00:06:08:28 the trail that leads us to our final home 00:06:09:03 - 00:06:11:06 and shepherd the darkness aside, 00:06:11:06 - 00:06:15:18 so that we all may reside in the sparking light of divinity. 00:06:15:18 - 00:06:21:12 [CRACK OF THUNDER] 00:06:22:06 - 00:06:25:06 [OFFICIANT] An auspicious sign! 00:06:25:11 - 00:06:30:06 The thunder rises to greet the memory of these departed souls. 00:06:31:05 - 00:06:34:05 [MARK] It's too early for lightning yet — 00:06:34:11 - 00:06:36:22 way too early. 00:06:36:22 - 00:06:39:07 The sun is still up. 00:06:39:07 - 00:06:42:07 [PIPER] Do you hear that? 00:06:42:08 - 00:06:43:21 What is that? 00:06:43:21 - 00:06:46:21 [MAYA] Hear what? 00:06:47:13 - 00:06:48:17 [LOUD CRACK OF THUNDER] 00:06:48:17 - 00:06:50:01 [MARK] Get back! 00:06:50:01 - 00:06:51:20 Get off the platform! 00:06:51:20 - 00:06:53:22 Go now! 00:06:53:22 - 00:06:54:27 [PIPER] What about — [MARK] Forget the wreath! 00:06:54:27 - 00:06:56:15 Just go. 00:06:56:15 - 00:06:59:15 Go! Move! 00:07:00:09 - 00:07:01:17 [CROWD] Watch out! 00:07:01:17 - 00:07:03:03 [CROWD] Holy cow! Hey. 00:07:03:03 - 00:07:04:25 [CROWD] So you really. 00:07:04:25 - 00:07:06:28 [CROWD] HEY! Watch where you're going. 00:07:11:26 - 00:07:14:26 [OFFICIANT, distant] Calm! Calm children! 00:07:17:03 - 00:07:18:10 No harm will fall on you in this place! 00:07:18:10 - 00:07:21:10 This is a sacred ceremony! 00:07:21:11 - 00:07:24:10 [PIPER SOBBING] 00:07:24:10 - 00:07:26:07 [MARK] Get down the stairs. 00:07:26:07 - 00:07:28:03 [PIPER SOBBING] 00:07:28:03 - 00:07:29:02 [MARK] Piper, your job is to 00:07:29:02 - 00:07:31:22 walk down these steps until there are no more. 00:07:31:22 - 00:07:34:22 [MAYA] Here. Take my hand. 00:07:34:28 - 00:07:37:28 It's going to be okay. 00:07:40:05 - 00:07:43:05 [PIPER SOBBING] 00:07:43:15 - 00:07:44:17 [MAYA] Those people are going to be on top 00:07:44:17 - 00:07:54:18 of us any second. 00:08:04:09 - 00:08:06:06 Oh, shit. 00:08:06:06 - 00:08:07:15 We're going to have to go out in that. 00:08:07:15 - 00:08:09:06 [PIPER] Where? 00:08:09:06 - 00:08:11:28 [MAYA] My car's in the lot. 00:08:11:28 - 00:08:14:19 [MARK] Go. We're going to get trampled if we stay. 00:08:14:19 - 00:08:15:00 [PIPER] I don't — 00:08:15:00 - 00:08:17:08 I don't think it's safe to be in the storm. 00:08:17:08 - 00:08:20:08 [MARK] No time. Go! 00:08:20:08 - 00:08:23:08 [LOUD CRASHING IN THE STAIRWELL] 00:08:27:08 - 00:08:28:03 [PIPER SCREAMS] 00:08:28:03 - 00:08:29:11 [MAYA] Piper, I got you, I got you! 00:08:29:11 - 00:08:32:11 Just keep moving. 00:08:32:11 - 00:08:33:08 [PIPER] Where? 00:08:33:08 - 00:08:36:08 [MAYA] Come on. 00:08:36:08 - 00:08:41:23 [CAR DOORS OPENING AND THEN CLOSING] 00:08:41:23 - 00:08:44:23 [MARK BREATHING HEAVILY] 00:08:46:07 - 00:08:49:07 [MARK] Rain doesn’t make sense. 00:08:49:18 - 00:08:50:09 Lightning 00:08:50:09 - 00:08:52:23 doesn’t make sense. 00:08:52:23 - 00:08:55:23 None of this makes any sense. 00:08:55:23 - 00:08:58:23 [RAIN HITTING WINDSHIELD] 00:08:59:03 - 00:09:01:00 [MARK] Look. 00:09:01:00 - 00:09:02:16 Headlights out in the desert. 00:09:03:15 - 00:09:06:15 Trawlers trapped down slope. 00:09:07:24 - 00:09:09:08 [MAYA] Ain't nothing we can do for them now. 00:09:09:08 - 00:09:10:14 [PIPER] What are we doing? 00:09:10:14 - 00:09:11:27 [MAYA] Brewed Awakening. 00:09:11:27 - 00:09:12:14 [PIPER] What? 00:09:12:14 - 00:09:14:01 [MAYA] Brewed Awakening — 00:09:14:01 - 00:09:16:02 It's the coffee shop I work at. 00:09:16:02 - 00:09:16:16 It's — 00:09:16:16 - 00:09:18:18 It's up the hill towards the base of the mountains. 00:09:18:18 - 00:09:19:15 [MARK] Seatbelts. 00:09:19:15 - 00:09:20:29 [MAYA] It’s familiar ground. 00:09:20:29 - 00:09:22:15 We can wait it out there. 00:09:22:15 - 00:09:25:00 [MARK] Seat! belts! 00:09:25:00 - 00:09:28:00 [MAYA] Okay, okay, okay. 00:09:32:20 - 00:09:34:08 [PIPER] The - the storms, Maya 00:09:34:08 - 00:09:36:18 we can't get stuck in this! 00:09:36:18 - 00:09:37:27 I just want to go home. 00:09:37:27 - 00:09:39:08 Can you take me home? 00:09:39:08 - 00:09:40:18 [MARK] Maya’s right, Piper. 00:09:40:18 - 00:09:44:00 If this storm is going to hit Robeson, it's best if we’re up the mountain. 00:09:45:01 - 00:09:46:28 I've been trapped out in the desert in the lightning and 00:09:46:28 - 00:09:48:26 you want to be well out of the way. 00:09:48:26 - 00:09:49:20 [LOUD CRACK OF THUNDER] [PIPER, weeping] Oh, my Gods - oh my gods oh my 00:09:49:20 - 00:09:51:19 [MAYA] S__t! F__k these streets, 00:09:51:19 - 00:09:53:10 I'm taking 80. 00:09:53:10 - 00:09:54:00 [MARK] Don't. 00:09:54:00 - 00:09:56:23 Everyone's on 80. Tourists in town for the pickleball tournament. 00:09:56:23 - 00:09:59:07 [MAYA] Well, good thing all the traffic should be inbound then. 00:09:59:07 - 00:10:00:14 [MARK] If you're lucky. 00:10:00:14 - 00:10:02:11 People don't do rain well, here. 00:10:02:11 - 00:10:03:22 [MAYA] I know what I’m doing, Mark. 00:10:03:22 - 00:10:11:27 [ACCELERATING INTO TRAFFIC] 00:10:14:06 - 00:10:23:27 [TRAFFIC CLEARING, CAR ACCELERATES QUICKLY] 00:10:24:12 - 00:10:26:07 [PIPER] Oh. Thank the Gods. 00:10:26:07 - 00:10:27:10 [MARK] I was wrong. 00:10:27:10 - 00:10:30:10 [MARK] You were right. [PIPER] Oh thank the Gods. 00:10:30:14 - 00:10:32:17 [MARK] We're out ahead of it for now. 00:10:32:17 - 00:10:34:20 That's not going to stick over the desert, though. 00:10:34:20 - 00:10:36:12 [MAYA] Look, it's fine. If it gets real bad, 00:10:36:12 - 00:10:39:12 the coffee shop has a basement, and we're almost there. 00:10:48:17 - 00:10:59:05 [CAR SLOWS] 00:10:59:05 - 00:11:02:21 [HONKING, TRAFFIC NOISE] 00:11:02:21 - 00:11:04:06 [PIPER] Why are we stopping? 00:11:04:06 - 00:11:07:06 Why are there so many cars on the street? 00:11:07:06 - 00:11:10:02 [MAYA] It's the fucking tourists coming in for the tournament. 00:11:10:02 - 00:11:13:02 [MARK] How are we getting through that? 00:11:15:28 - 00:11:17:21 [PIPER] We have to walk. 00:11:17:21 - 00:11:20:09 [MAYA] No, I'm not leaving my car., Piper. 00:11:20:09 - 00:11:21:24 I still got payments on this thing. 00:11:21:24 - 00:11:24:10 [PIPER] We have to go now! 00:11:24:10 - 00:11:26:14 [MARK] Panicking isn't going to solve this. 00:11:26:14 - 00:11:28:28 Why don't you take a few deep breaths — 00:11:28:28 - 00:11:29:16 [CAR DOOR OPENS] 00:11:29:16 - 00:11:31:12 [MAYA] What the hell, Piper?! 00:11:31:12 - 00:11:32:21 [MARK] Damn it all to hell 00:11:32:21 - 00:11:34:11 We have to get her before she does something stupid. 00:11:34:11 - 00:11:37:13 [MAYA] I'm not leaving my car! [CAR DOOR OPENS, LOUD TRAFFIC NOISE] 00:11:38:01 - 00:11:38:27 [MAYA] Mark! 00:11:39:19 - 00:11:41:17 At least close her door! 00:11:41:17 - 00:11:42:24 Damn. 00:11:42:24 - 00:11:46:06 People have no respect for other people's property. 00:11:49:12 - 00:11:50:12 [LOUD CRACK OF LIGHTNING] 00:11:50:12 - 00:11:52:10 Oh, s__t. 00:11:52:10 - 00:11:53:03 S__t! 00:11:53:03 - 00:11:55:10 S__t s__t s__t s__t! S__t. 00:11:55:10 - 00:11:58:07 Mark! Mark! 00:11:58:07 - 00:12:01:07 F__k you guys! 00:12:02:02 - 00:12:05:00 [CAR HORNS BLARING] 00:12:05:00 - 00:12:08:20 [MAYA] What do you want me to do?! 00:12:08:27 - 00:12:11:09 You think you can drive through cars better than I can? 00:12:11:12 - 00:12:14:12 Be my f__king guest. 00:12:14:12 - 00:12:17:12 [SOUNDS OF JOGGING THROUGH THE RAIN] 00:12:18:18 - 00:12:21:18 [MAYA] What the hell? You don't even know where you're going! 00:12:21:19 - 00:12:22:27 Piper. Piper! 00:12:22:27 - 00:12:24:15 Slow down. 00:12:24:15 - 00:12:26:26 [LOUD RAINFALL ON ASPHALT] 00:12:26:26 - 00:12:28:05 [MAYA] Hey, hey, hey. 00:12:28:05 - 00:12:31:05 It’s a left at the corner. 00:12:35:20 - 00:12:38:14 [MARK] She's not thinking straight. 00:12:38:14 - 00:12:41:14 [MAYA] At least she's following directions. 00:12:43:11 - 00:12:47:10 [PIPER SOBBING SOFTLY] 00:12:47:10 - 00:12:49:12 [MAYA] Slow down. 00:12:49:12 - 00:12:50:25 It's right up here. 00:12:50:25 - 00:12:52:12 With the big neon coffee mug. 00:12:52:12 - 00:12:55:01 Let's just get inside, where it’s dry. Okay? 00:12:55:01 - 00:12:56:27 [PIPER] Shut up! 00:12:56:27 - 00:12:59:13 Just stop talking until we're safe. 00:12:59:13 - 00:13:01:22 [PIPER] Please! [MAYA] Calm down. 00:13:01:22 - 00:13:03:20 [MAYA] Okay? We're here. 00:13:03:20 - 00:13:04:26 You're good. 00:13:04:26 - 00:13:07:26 You're fine. 00:13:07:26 - 00:13:13:16 [SHOP DOOR OPENS, BELL RINGS] 00:13:14:03 - 00:13:16:23 [BRIGITTE] Maya. Hey! 00:13:16:23 - 00:13:19:16 [BRIGITTE] Oh, wow. [PIPER] We're not safe out there! 00:13:19:16 - 00:13:21:00 [BRIGITTE] Are you okay? 00:13:21:00 - 00:13:22:22 [PIPER] Nobody's safe out there. 00:13:22:22 - 00:13:24:14 We might not even be safe in here. 00:13:24:14 - 00:13:26:11 [BRIGITTE] Dude, is she okay? 00:13:26:11 - 00:13:27:20 What happened to you guys? 00:13:27:20 - 00:13:30:08 [MAYA] What? What the fuck are you even on about? 00:13:31:15 - 00:13:32:12 [MAYA] Oh, Gods. 00:13:32:12 - 00:13:35:12 [DOOR OPENS, SHOP BELL RINGS] 00:13:36:01 - 00:13:38:07 [MARK] Stop running everywhere. 00:13:38:07 - 00:13:40:10 I'm closer to 50. That I am 20. 00:13:40:10 - 00:13:42:00 [PIPER] Can you hear it? 00:13:42:00 - 00:13:43:27 [MARK] I'm not built for it. 00:13:43:27 - 00:13:47:02 [PIPER] LISTEN! Just shut up and listen! 00:13:47:02 - 00:14:05:00 ♪ DRUMS RISING ♪ [DISCORDANT WHINE] 00:14:05:00 - 00:14:06:26 [VENAN] It weren’t no accident, you know. 00:14:06:26 - 00:14:09:13 [MAYA, screams] Who the hell are you? 00:14:09:13 - 00:14:12:01 [VENAN] What happened to them. 00:14:12:01 - 00:14:15:07 Weren’t no accident. 00:14:16:06 - 00:14:18:24 [PIPER] What do you mean? 00:14:18:24 - 00:14:21:24 [VENAN] There are forces in this world, kitten, 00:14:22:08 - 00:14:25:08 That you may never understand. 00:14:25:19 - 00:14:28:19 It might be better if it stays that way. 00:14:34:20 - 00:14:36:27 [VENAN] Then again — 00:14:36:27 - 00:14:39:27 might not. 00:14:43:02 - 00:14:44:29 [VENAN] By the way, 00:14:44:29 - 00:14:47:29 keep an ear out Tiger. 00:14:47:29 - 00:14:49:06 [DOOR OPENS, SHOP BELL RINGS] 00:14:49:06 - 00:14:51:24 [BRIGITTE] Hey, dude, you should probably wait to go 00:14:51:24 - 00:14:54:24 back out. 00:14:54:24 - 00:14:57:24 [DOOR CLOSES] 00:15:02:17 - 00:15:02:23 [MAYA] Okay. 00:15:02:23 - 00:15:05:14 Okay, okay. What? What the f__k is going on? 00:15:05:14 - 00:15:08:14 What is all this stupid, crazy bulls__t? 00:15:08:18 - 00:15:10:23 And who the hell was that guy? 00:15:10:23 - 00:15:13:23 [BRIGITTE] A__hole didn’t even leave a tip. 00:15:23:06 - 00:15:26:06 [SCENE TRANSITION] [RAIN SLOWS TO DEEP THRUM] 00:15:43:09 - 00:15:46:09 ♪ And it squirts, and squirts, and squirts ♪♪ 00:15:46:23 - 00:15:49:00 ♪ and squirts, and squirts ♪♪ 00:15:51:13 - 00:15:54:13 [DOOR OPENS, CROWD NOISE RISES] 00:15:57:03 - 00:15:59:29 [ALLAN] Please, I'm begging you. 00:15:59:29 - 00:16:02:16 Just place an order. 00:16:02:16 - 00:16:05:16 There are only three options. 00:16:07:00 - 00:16:08:07 [SERAPHINA] He'll have white. 00:16:08:07 - 00:16:11:24 [JAMES] No, I had white last time. Give me brown. 00:16:11:24 - 00:16:13:10 [SERAPHINA] Listen to me, James. 00:16:13:10 - 00:16:16:14 Every time you get brown, it ends up everywhere. 00:16:16:27 - 00:16:18:18 You eat like a toddler. 00:16:18:18 - 00:16:19:19 Get white. 00:16:19:19 - 00:16:20:28 It won't stain. 00:16:20:28 - 00:16:21:29 [James] Good point. 00:16:21:29 - 00:16:24:01 Don’t want to look sloppy for me show. 00:16:24:01 - 00:16:26:00 [ALLAN] F__king great. 00:16:26:00 - 00:16:27:26 One white. 00:16:27:26 - 00:16:29:12 Is that all? 00:16:29:12 - 00:16:31:08 [SERAPHINA] Give me a swirl. 00:16:31:08 - 00:16:33:21 [JAMES] Oh, maybe I want a swirl instead. 00:16:33:21 - 00:16:35:08 [SERAPHINA] Shut up James. 00:16:35:08 - 00:16:36:24 When do you get off work, Allan? 00:16:36:24 - 00:16:38:24 [ALLAN] Another half spin of the shovel. 00:16:38:24 - 00:16:41:24 [JAMES] Allan, why is it you have a job in hell? 00:16:41:24 - 00:16:43:13 We don't even pay for these things. 00:16:43:13 - 00:16:45:17 [ALLAN] We've been over this. 00:16:45:17 - 00:16:48:00 Hell is boring. 00:16:48:00 - 00:16:51:26 An endless expanse of formless gray dust. 00:16:52:20 - 00:16:54:11 F__k that noise. 00:16:54:11 - 00:16:56:22 We already spent forever wandering around in that. 00:16:58:02 - 00:17:01:02 [SERAPHINA] There's a way out of here, Allan. 00:17:01:02 - 00:17:03:22 With work and devotion. 00:17:03:22 - 00:17:06:01 You could follow me out of here for good. 00:17:06:01 - 00:17:07:28 [JAMES] It WAS boring, though, Mother. 00:17:07:28 - 00:17:10:28 Now we get to hang out in indoors 00:17:11:03 - 00:17:13:26 at the Kreamy Treatz. 00:17:13:26 - 00:17:17:11 [SERAPHINA] I don't know why you insist on using its name like that all the time. 00:17:17:13 - 00:17:19:23 [JAMES] I like the way it feels when I say it. 00:17:19:23 - 00:17:22:03 Kreamy. Treatz. 00:17:22:03 - 00:17:23:08 It's delightful. 00:17:23:08 - 00:17:24:27 Just spills right through the teeth. 00:17:24:27 - 00:17:28:01 [ALLAN] It may surprise you to learn, but you're not the only 00:17:28:01 - 00:17:31:01 two a__holes who want ice cream in hell. 00:17:31:01 - 00:17:32:14 Can you two move? 00:17:32:14 - 00:17:33:18 There's a line. 00:17:33:18 - 00:17:35:00 [SERAPHINA] Seriously? 00:17:35:00 - 00:17:37:01 Just do the thing. Alan. 00:17:37:01 - 00:17:39:14 What are they going to do? Fire you? 00:17:39:14 - 00:17:41:08 [JAMES] Spin the Time Shovel! 00:17:41:08 - 00:17:42:14 [ALLAN] For the last time, 00:17:42:14 - 00:17:45:12 No. I'm not doing that again. 00:17:45:12 - 00:17:48:12 I promise you, every second I force that shovel to spin. 00:17:48:21 - 00:17:51:05 I feel the time weighing me down. Like lead. 00:17:52:13 - 00:17:55:13 I am living those seconds Seraphina. 00:17:55:15 - 00:17:58:15 Every excruciating one of them. 00:17:59:09 - 00:18:02:09 I'm not doing that just so you don't have to wait. 00:18:04:06 - 00:18:05:26 [JAMES] Well not exactly living though, innit? 00:18:05:26 - 00:18:08:06 [ALLAN] Shut up James. 00:18:08:16 - 00:18:10:26 [SERAPHINA] Fine. Suit yourself. 00:18:10:26 - 00:18:13:26 We'll be at a table. 00:18:13:26 - 00:18:21:03 [SOUNDS OF WALKING THROUGH THE CROWD] 00:18:21:03 - 00:18:21:24 [CROWD #1] Yeah. 00:18:21:24 - 00:18:23:09 It's just a itch. 00:18:23:09 - 00:18:25:02 Don't look at me like that. 00:18:25:02 - 00:18:26:02 I got a few more spins of the 00:18:26:02 - 00:18:29:02 the shovel before The Chew gets me. 00:18:29:03 - 00:18:31:17 [CROWD #2] I — 00:18:31:17 - 00:18:33:09 I heard the Spectre of Kommunism 00:18:33:09 - 00:18:35:24 is 100 shovels tall! 00:18:35:24 - 00:18:38:24 and half again as wide! 00:18:39:06 - 00:18:42:06 [BARKER] Selling Shame! You name it, I got it! 00:18:42:06 - 00:18:44:13 Hide in your shame should the Spectre of Kommunism reappear! 00:18:44:13 - 00:18:45:18 [CROWD #3] I have to return it 00:18:45:18 - 00:18:46:18 because it was a mild 00:18:46:18 - 00:18:48:18 disappointment at best. 00:18:48:18 - 00:18:50:05 [CROWD #4] You are mistaken. 00:18:50:05 - 00:18:52:08 This is fresh regret. 00:18:52:08 - 00:18:53:24 Just harvested. 00:18:53:24 - 00:18:55:03 [CROWD #3] If this is grief, 00:18:55:03 - 00:18:58:02 or Spire-cursed uneasiness 00:18:58:02 - 00:18:59:11 I'll be back for your head. 00:18:59:11 - 00:19:01:24 [CROWD #4] It is regret. 00:19:01:24 - 00:19:03:18 On my honor. 00:19:03:18 - 00:19:10:06 Which, by the way, is also for sale. 00:19:12:24 - 00:19:15:24 [CHAIRS PULL OUT] [CROWD NOISE FADES SLIGHTLY] 00:19:17:18 - 00:19:19:11 [JAMES, mouth full] I do like white. 00:19:19:11 - 00:19:21:06 I don't know why I fight you on this. 00:19:21:06 - 00:19:23:00 [SERAPHINA] I keep telling you to trust me, James. 00:19:23:00 - 00:19:25:03 It's the only path to salvation. 00:19:26:02 - 00:19:27:04 [JAMES] Salvation - 00:19:27:04 - 00:19:28:22 right. 00:19:28:22 - 00:19:30:20 [BARKER] Selling your regrets! 00:19:30:20 - 00:19:33:00 Get ‘em while they’re heavy! 00:19:33:00 - 00:19:36:00 Trade your sorrow for something lighter. 00:19:36:00 - 00:19:39:00 [CHAIR PULLS OUT] 00:19:39:05 - 00:19:40:03 [SERAPHINA] Done already? 00:19:40:03 - 00:19:41:01 [ALLAN] Yeah. 00:19:41:01 - 00:19:44:01 It turns out the shovel is pretty loose today. 00:19:44:16 - 00:19:47:16 [JAMES] Wait, now, why is it that Allan gets to have a brown. 00:19:47:21 - 00:19:51:05 [ALLAN] Because I don't have frilly sleeves of a blouse to drag 00:19:51:05 - 00:19:52:22 through everything I eat. 00:19:52:22 - 00:19:53:27 [SERAPHINA] What he said. 00:19:53:27 - 00:19:55:06 [JAMES] Fine. 00:19:55:06 - 00:19:58:06 Suffer for fashion, I guess. 00:19:58:06 - 00:19:59:12 [SCREAM IN THE CROWD] 00:19:59:12 - 00:20:02:12 [SERAPHINA] What are they so worked up about today? 00:20:02:15 - 00:20:03:27 [ALLAN] The Spectre. 00:20:03:27 - 00:20:06:00 Same as always. 00:20:06:00 - 00:20:06:26 [JAMES] Is it coming? 00:20:06:26 - 00:20:09:09 [ALLAN] It can't hurt you, James. 00:20:09:09 - 00:20:10:09 [SERAPHINA] Don't listen to him. 00:20:10:09 - 00:20:11:17 It IS dangerous. 00:20:11:17 - 00:20:14:07 [ALLAN] It's a dead idea. Seraphina! 00:20:14:07 - 00:20:17:06 Same as you. Same as me. 00:20:17:06 - 00:20:18:14 At worst. 00:20:18:14 - 00:20:20:10 It's scary looking. 00:20:20:10 - 00:20:23:10 [SERAPHINA] Just a dead idea, Allan? 00:20:23:16 - 00:20:24:28 Same as me? 00:20:24:28 - 00:20:25:19 [SLAPPING SOUND] 00:20:26:11 - 00:20:27:20 [JAMES] Ow! What was that for? 00:20:27:20 - 00:20:29:27 [SERAPHINA] Tell me, did that hurt you, James? 00:20:29:27 - 00:20:31:13 Oh, but how could it? 00:20:31:13 - 00:20:34:06 I'm just a dead idea after all. 00:20:34:06 - 00:20:35:27 [ALLAN] You are insufferable. 00:20:35:27 - 00:20:37:04 [SERAPHINA] Then leave! 00:20:37:04 - 00:20:39:24 Oh, wait. You can't. 00:20:39:24 - 00:20:41:11 None of us can. 00:20:41:11 - 00:20:44:03 Because you took a job. 00:20:44:03 - 00:20:45:03 You were bored, 00:20:45:03 - 00:20:48:12 and now we practically live in a f__king Dairy Queen. 00:20:48:12 - 00:20:50:10 [JAMES] Kreamy Treatz. And we don't — 00:20:50:10 - 00:20:51:00 [SERAPHINA] SHUT UP JAMES! 00:20:51:00 - 00:20:53:02 [ALLAN] Trust me, Seraphina — 00:20:53:02 - 00:20:56:03 If we weren’t bound together, you wouldn't 00:20:56:03 - 00:20:57:14 have a single friend here. 00:20:57:14 - 00:20:59:19 You f__king megalomaniac. 00:20:59:19 - 00:21:01:17 [JAMES] Do you think we were friends when we were alive, 00:21:01:17 - 00:21:03:26 and that's why we're all here together? 00:21:03:26 - 00:21:04:15 Or, maybe — 00:21:04:15 - 00:21:07:18 Or maybe we were in, like, a circus together. 00:21:07:18 - 00:21:09:06 Or a band! 00:21:09:07 - 00:21:10:25 [ALLAN] It doesn't matter. 00:21:10:25 - 00:21:12:14 We're here. 00:21:12:14 - 00:21:14:19 We couldn't wander the wastes forever. 00:21:14:19 - 00:21:17:19 This is … normal. 00:21:18:16 - 00:21:21:16 I may not remember much of what it was like being alive, 00:21:21:21 - 00:21:24:21 but you can't deny that this place feels familiar. 00:21:25:10 - 00:21:29:10 [SERAPHINA] And? This isn't salvation, Allan. 00:21:29:25 - 00:21:32:26 This is a slightly less horrible Hell. 00:21:33:22 - 00:21:36:13 [JAMES] We wouldn't have wander the Wastes if we left though, Allan. 00:21:36:13 - 00:21:39:08 There's always the Infinite Kitchen. 00:21:39:08 - 00:21:40:11 [ALLAN] No, thanks. 00:21:40:11 - 00:21:41:21 [JAMES] Oh. Come on. 00:21:41:21 - 00:21:44:21 [JAMES] Aren't you curious? [ALLAN] No. 00:21:44:24 - 00:21:46:08 [SERAPHINA] Why not? 00:21:46:08 - 00:21:47:20 It's not the Wastes. 00:21:47:20 - 00:21:49:14 And it's not here. 00:21:49:14 - 00:21:51:16 What's your objection? 00:21:51:16 - 00:21:54:10 It very well may be our way out of here. 00:21:54:10 - 00:21:56:24 [ALLAN] A way out of being dead. 00:21:56:24 - 00:21:58:06 Do you hear yourself? I do. Alan. 00:21:58:06 - 00:21:59:18 [SERAPHINA] I do. Allan. 00:21:59:18 - 00:22:02:17 I sound like someone who's not going to give up and accept The Chew. 00:22:02:17 - 00:22:04:28 [ALLAN] It’s over Seraphina. 00:22:04:28 - 00:22:07:03 The Chew gets everything. 00:22:07:03 - 00:22:10:03 We're all on borrowed time til we’re dust. 00:22:10:11 - 00:22:11:23 Why do you think there's so much of it here? 00:22:13:06 - 00:22:14:18 [ALLAN] Find something to do with yourself. 00:22:14:18 - 00:22:15:17 With the time you got. 00:22:15:17 - 00:22:18:00 [SERAPHINA] You don't get to give up, 00:22:18:00 - 00:22:21:00 Allan. You're attached to us. 00:22:21:07 - 00:22:23:29 If you won't go, we can't either. 00:22:23:29 - 00:22:26:14 You shouldn't get to make that decision for all of us. 00:22:26:14 - 00:22:29:26 [ALLAN] The decision has already been made, Seraphina. 00:22:30:18 - 00:22:33:18 My contract is until dissipation. 00:22:34:01 - 00:22:36:28 As long as both me and this place both exist. 00:22:36:28 - 00:22:38:04 This is home. 00:22:38:04 - 00:22:39:05 Settle in, 00:22:39:05 - 00:22:42:05 Buttercup. 00:22:42:05 - 00:22:43:20 [LOUD BANG, CROWD SCREAMS] 00:22:43:20 - 00:22:45:12 [ALLAN] What the f__k was that? 00:22:45:12 - 00:22:48:12 [SERAPHINA] It sure looks like the Spectre of Kommunism. 00:22:48:21 - 00:22:50:03 [JAMES] Is that its bloody finger? 00:22:50:03 - 00:22:51:15 [ALLAN] It looks like a finger. 00:22:51:15 - 00:22:53:10 [JAMES] What's it doing through the roof? 00:22:53:10 - 00:22:56:06 [SERAPHINA] Nothing, because it's just a dead idea. 00:22:56:06 - 00:22:58:18 [JAMES] That looks like it could hurt me for sure, Allan. 00:22:58:18 - 00:22:59:22 I think I’m with good Mother 00:22:59:22 - 00:23:01:04 Seraphina on this. 00:23:01:04 - 00:23:04:04 [ALLAN] What a tragic loss for me. 00:23:04:14 - 00:23:07:14 [CROWD SCREAM, CHEWING MONSTER] [SERAPHINA] We should run. 00:23:07:17 - 00:23:09:26 [ALLAN] What's it going to do? Kill us? 00:23:10:25 - 00:23:12:09 [JAMES] A little late for that. 00:23:12:09 - 00:23:14:17 [SERAPHINA] I don't care if it can't actually kill us. 00:23:14:17 - 00:23:17:17 It just ate that man. 00:23:17:17 - 00:23:19:24 [MONSTER HUFFING] [CHEWING NOISES] 00:23:19:24 - 00:23:22:09 [SERAPHINA] Tell us again how it’s harmless, Allan? 00:23:22:16 - 00:23:25:17 [ALLAN] F__king Spire, that’s gross! 00:23:26:16 - 00:23:29:16 Okay, maybe it CAN hurt you. 00:23:29:16 - 00:23:33:10 [MONSTER BELLOWS] 00:23:33:10 - 00:23:36:10 [TABLE CRASHES, CROWD SCREAMS] 00:23:38:04 - 00:23:39:22 [ALLAN] Yeah. Let’s run. 00:23:39:22 - 00:23:41:21 [SERAPHINA] Back outside to the dust, James. 00:23:41:21 - 00:23:43:10 Clear me a path. 00:23:43:10 - 00:23:44:22 [JAMES] Outside? 00:23:44:22 - 00:23:46:27 Where that thing is? 00:23:46:27 - 00:23:48:13 [ALLAN] We don't have a choice. 00:23:48:13 - 00:23:50:25 It's dismantling this place. 00:23:50:25 - 00:23:53:19 The walls are already starting to close in. 00:23:53:19 - 00:23:55:10 The room's getting smaller. 00:23:55:10 - 00:23:58:02 [SERAPHINA] How is that even possible? 00:23:58:02 - 00:24:01:05 [ALLAN] I don't know what the f__k the laws of physics are down here. 00:24:01:05 - 00:24:02:08 Do you? 00:24:02:08 - 00:24:05:20 Everything seems to be cockamamie cartoon bulls__t. 00:24:06:27 - 00:24:10:01 It's powered more by hubris than it is by anything approaching rules. 00:24:10:18 - 00:24:13:12 [SERAPHINA] You’d think that a guy working for the Kreamy Treatz 00:24:13:12 - 00:24:17:10 establishment would know a thing or two about what laws govern the place, wouldn’t you? 00:24:17:10 - 00:24:19:15 [ALLAN] Here we go again. 00:24:19:15 - 00:24:23:27 Can you maybe not criticize me for a spin of the damn shovel? 00:24:24:13 - 00:24:26:21 I'm the only one actually doing something with their afterlife. 00:24:32:09 - 00:24:33:19 [JAMES] Infinite Kitchen! 00:24:33:19 - 00:24:34:13 Let's go. 00:24:34:13 - 00:24:36:19 It's away from the Spectre of Kommunism eating everyone, and 00:24:36:19 - 00:24:38:03 I really want to see it. 00:24:38:03 - 00:24:39:05 Please. 00:24:39:05 - 00:24:41:16 [ALLAN] You're not supposed to go back there. 00:24:41:16 - 00:24:44:16 [SERAPHINA] Oh, for f__k's sake, Allan, grow a pair of balls. 00:24:46:01 - 00:24:51:25 [MONSTER ROARS, CHOKES ON CARCASS] 00:24:52:08 - 00:24:53:14 [ALLAN] Fine. 00:24:53:14 - 00:24:56:22 Go. I'll cover you, and when you get past the walk in freezer. 00:24:56:23 - 00:24:57:16 I'll follow you. 00:24:57:16 - 00:24:59:23 [JAMES] Oh, my bleedin’ Spire! Yes! 00:24:59:23 - 00:25:01:12 It's finally happening. 00:25:01:12 - 00:25:03:10 [ALLAN] Calm down. James. 00:25:03:10 - 00:25:06:10 Try not to soil those lacy pants. 00:25:07:09 - 00:25:16:17 [RUNNING THROUGH CROWD] [A SCREAM PANS OVERHEAD AS A PATRON IS EATEN] 00:25:16:17 - 00:25:19:17 [DOOR CLOSES, SOUDNS ARE QUIETED] 00:25:20:06 - 00:25:22:07 [BETHANY] You can’t be back here. 00:25:22:07 - 00:25:23:21 Hey! Hey! 00:25:23:21 - 00:25:25:15 You can't be back here! 00:25:25:15 - 00:25:27:28 [ALLAN] Call the fuck down, Bethany. 00:25:27:28 - 00:25:30:28 Maybe you should focus on the monster eating the clientele. 00:25:31:16 - 00:25:34:16 I'll take care of those two. 00:25:34:16 - 00:25:36:10 [A CLATTER OF UTENSILS HITTING THE FLOOR] 00:25:36:10 - 00:25:37:08 [JAMES] Sorry! 00:25:37:08 - 00:25:38:11 Got my sleeve caught. 00:25:38:11 - 00:25:40:29 Lots of pointy bits in here. 00:25:41:14 - 00:25:42:08 [JAMES] Is that a knife?! 00:25:42:08 - 00:25:44:18 That must be a meter long! 00:25:44:18 - 00:25:46:19 [SERAPHINA] James. No! 00:25:46:19 - 00:25:47:18 Put it down. 00:25:48:27 - 00:25:50:08 [ALLAN, approaching] Let him have it. 00:25:50:08 - 00:25:51:26 Who knows what's back here? 00:25:51:26 - 00:25:53:21 Maybe you should look for one, too. 00:25:53:21 - 00:25:56:21 [SERAPHINA] I'll be fine. 00:25:56:21 - 00:25:59:06 New Caption 00:25:59:06 - 00:26:00:10 [ROAR, RIPPING, THEN A POP] 00:26:00:10 - 00:26:03:27 [ALLAN] I think it popped the Kreamy Treatz. 00:26:04:20 - 00:26:07:20 [JAMES] Can a Kreamy Treatz just be popped? 00:26:08:12 - 00:26:11:28 [ALLAN] This place has a kitchen that stretches on forever, James. 00:26:12:05 - 00:26:14:19 I don't think there's much that can't be done here. 00:26:14:19 - 00:26:16:22 [SERAPHINA] I hope it's not forever. 00:26:16:22 - 00:26:19:22 I've had enough of you two for a lifetime. 00:26:19:25 - 00:26:20:08 [JAMES] — Actually… 00:26:20:08 - 00:26:22:16 [ALLAN] Shut up. James. 00:26:22:16 - 00:26:25:15 All right, I guess we're going to figure out 00:26:25:15 - 00:26:28:15 where the hell this thing goes. 00:26:28:15 - 00:26:40:21 [SCENE TRANSITION] [SOUND OF FOOTSTEPS SPEEDS UP TO RAIN PATTER] 00:27:12:18 - 00:27:15:00 [PIPER, muttered] Oh, no no no no 00:27:15:00 - 00:27:18:00 no. Oh. 00:27:18:27 - 00:27:21:15 No! Oh, no! No! 00:27:21:15 - 00:27:25:03 No no no no no no no. 00:27:25:16 - 00:27:26:17 [MARK] It's okay. Piper. 00:27:26:17 - 00:27:29:01 It's past. The worst of it is over. 00:27:29:01 - 00:27:29:12 [MAYA] Oh, Gods, 00:27:29:12 - 00:27:31:22 have you ever heard a storm that loud? 00:27:31:22 - 00:27:32:09 Ever? 00:27:32:09 - 00:27:35:17 [PIPER] No, no, no. [MARK] No, I haven't. 00:27:36:18 - 00:27:38:07 [MAYA] And lightning never hits the city. 00:27:38:07 - 00:27:40:02 I always heard that was impossible. 00:27:40:02 - 00:27:41:10 [MARK] Not green lightning. 00:27:41:10 - 00:27:42:13 At least 00:27:42:13 - 00:27:45:13 that's supposed to have something to do with the copper in the sand. 00:27:45:25 - 00:27:48:25 [PIPER, quietly] What is that? [MAYA] Okay, okay, so I'm not crazy. 00:27:48:29 - 00:27:51:29 [MAYA]Then what the hell is lightning doing hitting Robeson, then? [PIPER] What is that? 00:27:52:26 - 00:27:55:08 [MARK] Last time lightning struck where it wasn't supposed to… 00:27:55:08 - 00:27:58:13 [MARK] Well…and that never… [PIPER, yelling] WHAT IS THAT? Look, damn it! 00:27:58:17 - 00:28:01:11 [MAYA] What the hell, Piper? 00:28:05:08 - 00:28:08:08 [PIPER] What is that? 00:28:09:00 - 00:28:10:25 [MARK] Are those trees? 00:28:10:25 - 00:28:12:27 [PIPER] There are no trees in Robeson. 00:28:12:27 - 00:28:15:11 [MARK] Those are trees. 00:28:15:11 - 00:28:17:12 White poplars, to be exact. 00:28:17:12 - 00:28:19:12 [MAYA] So how the f__k did they get here? 00:28:19:12 - 00:28:22:12 [PIPER] What's that hanging from them? 00:28:25:02 - 00:28:26:10 [MARK, close to the window] I can't tell. 00:28:26:10 - 00:28:29:10 It's too dark. 00:28:34:25 - 00:28:39:14 [FOOTSTEPS] [DOOR OPENS, SHOP BELL RINGS] 00:28:40:06 - 00:28:42:23 [MAYA] Hey, Mark, just please be careful. 00:28:42:23 - 00:28:46:26 [MAYA] None of this s__t feels right, or normal. [PIPER] Move, please — 00:28:47:11 - 00:28:48:26 [PIPER] I want to see. 00:28:48:26 - 00:28:50:21 [MARK] Be careful. 00:28:50:21 - 00:28:53:12 There's bound to be a lot of confusion after a storm like this. 00:28:54:07 - 00:28:56:02 [DOOR CLOSES] 00:28:57:06 - 00:28:58:21 [PIPER] Is that tree, uh — 00:28:58:21 - 00:29:01:21 growing through a car? 00:29:04:19 - 00:29:07:19 [FOOTSTEPS MOVING TO THE DISTANCE] 00:29:09:05 - 00:29:09:26 [MAYA] Hey, wait wait, wait. 00:29:09:26 - 00:29:11:02 Don't get too close to that. 00:29:11:02 - 00:29:13:13 It might be dangerous. 00:29:13:13 - 00:29:14:28 [MARK] I don't understand. 00:29:14:28 - 00:29:16:28 They're not rooted in anything. 00:29:16:28 - 00:29:18:12 It should have split the asphalt, 00:29:18:12 - 00:29:21:12 even if it could grow that fast. 00:29:21:12 - 00:29:24:12 [DISTANT RADIO STATIC] 00:29:25:02 - 00:29:27:13 [PIPER] It doesn't even reach the ground. 00:29:27:13 - 00:29:30:13 All of it is inside the car. 00:29:32:15 - 00:29:33:07 [MAYA, approaching] Ooo, f__k. 00:29:33:07 - 00:29:35:08 Y'all are trying to get yourself killed. 00:29:35:08 - 00:29:37:21 Swear on the Gods. 00:29:37:21 - 00:29:40:21 [MAYA BREATHING HARD] 00:29:42:06 - 00:29:45:06 [PIPER, in the distance] It’s that noise, from the platform. [MARK] Something in here is making noise. 00:29:45:08 - 00:29:48:00 [MARK] Sounds like a speaker. 00:29:48:00 - 00:29:49:15 [MAYA] Wait, that's a CB radio. 00:29:49:15 - 00:29:52:00 An old CB radio. 00:29:52:00 - 00:29:55:01 [MARK, struggling] It's practically a forest in this car. 00:29:55:02 - 00:29:56:10 How can you even see it? 00:29:56:10 - 00:29:59:10 [MAYA] Come here. Get down a little bit. 00:29:59:17 - 00:30:02:03 Do you see that? 00:30:02:03 - 00:30:05:03 There's a light coming from the backseat. 00:30:06:03 - 00:30:09:03 [PIPER, distantly] Ugh, that smell — 00:30:09:03 - 00:30:12:03 [BRANCHES SNAPPING] [RADIO WHINES] 00:30:12:14 - 00:30:13:08 [PIPER, distantly] Mark? Maya? 00:30:13:08 - 00:30:16:08 [MARK] It's that same whine in the storm. 00:30:16:16 - 00:30:18:04 It's coming from the radio. 00:30:18:04 - 00:30:20:03 [MAYA] This thing is old Mark. 00:30:20:03 - 00:30:22:25 Like, older than you. 00:30:22:25 - 00:30:24:19 Looks like it's from the 50s. 00:30:26:18 - 00:30:29:00 [MARK] If you say so. 00:30:29:00 - 00:30:30:00 Help me get it out. 00:30:30:00 - 00:30:31:26 I'm gonna pull back some of these branches. 00:30:31:26 - 00:30:33:23 You grab the handles on the front. 00:30:33:23 - 00:30:36:23 [MAYA] You don’t get it. This has no business being on. 00:30:36:23 - 00:30:38:22 It's not designed to work in cars. 00:30:38:22 - 00:30:41:12 A radio like this needs wall power. 00:30:41:12 - 00:30:41:25 [PIPER, distantly] Smells like, blood. 00:30:41:25 - 00:30:44:15 Blood and shit. 00:30:44:15 - 00:30:46:23 [MAYA] I don't know if that's safe to be touching. 00:30:46:23 - 00:30:49:23 What if it's, like, electrified or something? 00:30:52:07 - 00:30:55:21 [MARK] Just grab it, get it out of there and we can figure it out. 00:30:55:22 - 00:30:58:02 I can't hold these branches much longer. 00:30:58:02 - 00:31:01:02 [MAYA] Fine. 00:31:03:04 - 00:31:03:16 [PIPER, yelled from a distance] Wait! 00:31:03:16 - 00:31:06:16 Don't! 00:31:07:04 - 00:31:12:05 [SCENE TRANSITION] [PIPER, echoing ad infinitum] No! 00:31:12:20 - 00:31:13:26 [JAMES] What was that? 00:31:13:26 - 00:31:16:01 [ALLAN] Sounded like a radio. 00:31:19:24 - 00:31:22:17 [SERAPHINA] It's just up ahead. 00:31:22:24 - 00:31:25:11 [JAMES] What in the bloody Spire is a radio? 00:31:25:11 - 00:31:27:00 [ALLAN] It’s a communication device. 00:31:27:00 - 00:31:29:02 You can talk a long distance on it. 00:31:30:03 - 00:31:30:18 Maybe we 00:31:30:18 - 00:31:33:18 can find someone who can tell us how to get through here. 00:31:33:23 - 00:31:37:14 [SERAPHINA] Please, let's find this radio. 00:31:37:29 - 00:31:40:29 I have a good feeling about this. 00:31:40:29 - 00:31:42:20 [POTS AND UTENSILS RATTLING] 00:31:42:20 - 00:31:44:17 [JAMES] Wow. 00:31:44:17 - 00:31:46:01 [JAMES] Found it! 00:31:46:01 - 00:31:48:24 I think. Do they look like boxes? 00:31:48:24 - 00:31:50:02 [ALLAN, in the distance] They can. 00:31:50:02 - 00:31:52:29 [JAMES] This one looks like a particularly shiny microwave. 00:31:52:29 - 00:31:55:06 [ALLAN, in the distance] Hold tight. 00:31:55:06 - 00:31:58:06 I'm coming. 00:31:58:06 - 00:32:01:06 [FOOTSTEPS APPROACHING RAPIDLY] 00:32:01:19 - 00:32:03:08 [ALLAN SIGHS HEAVILY] 00:32:03:08 - 00:32:04:16 [ALLAN] Yeah. 00:32:04:16 - 00:32:06:00 That's it. 00:32:06:00 - 00:32:07:22 Give it here. 00:32:07:22 - 00:32:10:22 [JAMES, exerting himself] Okay, let me pull it out. 00:32:10:22 - 00:32:14:27 [RADIO STATIC GETS LOUDER] 00:32:14:27 - 00:32:16:19 [ALLAN] That's definitely it. 00:32:16:19 - 00:32:18:05 It has a dial. 00:32:18:05 - 00:32:20:05 There's a handset. 00:32:20:05 - 00:32:23:04 This looks like a citizen's band radio. 00:32:23:04 - 00:32:26:04 Almost. Too big for that, though. 00:32:26:04 - 00:32:29:20 [SERAPHINA] Are you seriously going to sit here and describe it to us? 00:32:30:02 - 00:32:31:19 We can all see it. 00:32:31:19 - 00:32:32:23 [JAMES] Yeah. 00:32:32:23 - 00:32:34:27 What's this thing do? 00:32:34:27 - 00:32:35:21 [ALLAN] Wait! 00:32:35:21 - 00:32:38:21 Don't just go pressing things! 00:32:38:21 - 00:32:46:15 [INTENSE RADIO STATIC] [LOUD CLICK OF A BUTTON] [TUNING WHINE] 00:32:46:15 - 00:32:48:27 [JAMES] Neat! [ALLAN] Hello? 00:32:48:27 - 00:32:50:24 [ALLAN] Is anyone there? 00:32:50:24 - 00:32:53:09 [SERAPHINA] If there is, you have to get us out of here. 00:32:54:10 - 00:32:55:19 [JAMES] I figured it out, Allan. 00:32:55:19 - 00:32:57:11 And you didn't. 00:32:57:11 - 00:33:00:11 Now, who’s a dummy? 00:33:00:11 - 00:33:12:01 [SCENE TRANSITION] [HEAVY STATIC FADES TO RADIO SOUND FROM CAR] 00:33:12:01 - 00:33:15:10 [BROKEN HIGH REGISTER VOICE FROM RADIO] H-hello? Is anyone there? 00:33:16:20 - 00:33:20:00 [BROKEN VOICE #2 FROM RADIO] — you have to get us out of here! 00:33:20:13 - 00:33:23:00 [BROKEN VOICE #3 FROM RADIO] I figured it out, Allan. 00:33:23:00 - 00:33:24:25 Now who’s the dummy? 00:33:24:25 - 00:33:26:08 [RADIO SQUELCH NOISE] 00:33:26:08 - 00:33:27:20 [MARK] Erika?! 00:33:27:20 - 00:33:30:10 That was Erika's voice. 00:33:30:10 - 00:33:32:20 [MAYA] And Chantal. 00:33:32:20 - 00:33:34:03 They're dead. They — 00:33:34:03 - 00:33:35:05 They died last year. 00:33:35:05 - 00:33:37:00 [MARK] I know my daughter’s voice. 00:33:37:00 - 00:33:40:18 [MAYA] What. The. Fuck. 00:33:41:06 - 00:33:42:09 [MARK] Erika’s alive! 00:33:42:09 - 00:33:44:26 [MAYA] We put them in the ground, Mark. 00:33:44:26 - 00:33:46:04 [MARK] She’s alive. 00:33:46:04 - 00:33:48:11 [MAYA] Wake up! 00:33:48:11 - 00:33:51:11 [PIPER, distantly] No! Nooo! Why did you touch it? 00:33:51:11 - 00:33:54:11 [MUSIC FADES TO THEME SONG] 00:34:05:12 - 00:34:08:03 [V.O.] This has been Heartglass Episode 1: 00:34:08:03 - 00:34:10:03 Crazy Cockamamie Bulls__t. 00:34:10:18 - 00:34:13:24 [V.O.] This program relies on support from listeners like you. 00:34:14:07 - 00:34:17:04 If you enjoyed the show and want to help more, get made. 00:34:17:13 - 00:34:20:17 Visit us on the web at https://heart.glass. 00:34:20:17 - 00:34:24:13 Heartglass is a production of Man in Jumpsuit and stars: 00:34:24:22 - 00:34:28:29 Ashleigh Morghan as Maya Graves, Adam Pilver as Mark LaBeau, 00:34:29:11 - 00:34:33:22 Shannon Hobby as Piper Stewart, Rae Lundberg as Allan Coleman, 00:34:34:05 - 00:34:37:02 Henry Korba-Babcock as James Gently, 00:34:37:02 - 00:34:40:02 Jamie-Lyn Markos as Mother Seraphina 00:34:40:02 - 00:34:45:08 Heartglass also stars Aud Andrews, Rae Witte, Jacob Brown, 00:34:45:18 - 00:34:49:15 Aubrey Case, and a rotating cast of ensemble players. 00:34:50:10 - 00:34:51:09 Thanks for listening. 00:34:51:09 - 00:34:52:17 And remember. 00:34:52:17 - 00:34:55:04 Never Trust a Man in a Jumpsuit. 00:34:55:04 - 00:35:51:17 ♪ THEME MUSIC FADES OUT ♪ 00:35:51:17 - 00:36:10:09 [LOUD THUNDER] 00:36:10:09 - 00:36:34:01 [DISCORDANT WHINE]